Forget the ticking of the clock \u2014 here, music doesn\u2019t rush forward, but grips the present moment. Raven Chacon, Tyshawn Sorey, Annea Lockwood and George Lewis ask us to listen differently: what remains when the noise falls away?
\nRaven Chacon, the first Native American Pulitzer winner, usually tackles history and politics. With Inscription, however, he lets the music speak for itself. Inspired by 1,000-year-old New Mexican petroglyphs, he treats ancient rock art as musical prompts: ‘They looked like violin cues or bass clarinet vibratos to me.’ Breaking from rigid tradition, Chacon uses graphic scores and microtones, treating every orchestral player as an ‘autonomous sound-maker.’
\nThen, the tempo drops to a near-standstill. Tyshawn Sorey\u2019s Adagio (For Wadada Leo Smith) is a monumental lesson in patience, moving with the majestic, imperceptible crawl of a glacier. Amidst the near-silence, a slowly rotating alto sax melody offers a steady hand to hold.
\nBut silence is an illusion. Unless time stops, the world\u2014nature, the city, our own bodies\u2014is always loud. These are the raw materials of Annea Lockwood. In Saouah!, she blurs the lines between voice, breath, and instrument, inviting us to stop hunting for harmony and start feeling the physical resonance of sound itself.
\nFinally, George Lewis explores time as ‘wear and tear’: \u201cWeathering mirrors the stamina needed to endure systemic racism\u2014the chronic stress of a permanent ‘fight or flight’ mode. I hope my music does noy cause stress, but sparks empathy. After all, this kind of weathering affects us all.”<\/p>\n
LAB-SERIES 26-27
\nStretching seconds, stripping Ears. Time is of the essence.
\nWith the LAB-SERIES, Brussels Philharmonic brings together musical experiment, interaction, and total immersion. Expect eclectic concert nights with striking programmes, pre- and post-concert talks, interactive installations, and listening sessions.
\nA Glitch in the Hourglass
\nThis season, the LAB-SERIES lets go of time as we know it. Time is shaped, stretched, or brought to a standstill. Physical interventions shift your sense of time, while composers sharpen its urgency. In that collision, a world of experiment opens up. Dive in, be surprised, and see where your curiosity takes you.<\/p>\n","protected":false},"excerpt":{"rendered":"
Forget the ticking of the clock \u2014 here, music doesn\u2019t rush forward, but grips the present moment. Raven Chacon, Tyshawn Sorey, Annea Lockwood and George Lewis ask us to listen differently: what remains when the noise falls away? Raven Chacon, the first Native American Pulitzer winner, usually tackles history and politics. With Inscription, however, he […]<\/p>\n","protected":false},"author":1,"featured_media":1939642,"comment_status":"","ping_status":"closed","template":"","acf":[],"yoast_head":"\n