{"id":1792659,"date":"2025-11-18T07:02:32","date_gmt":"2025-11-18T07:02:32","guid":{"rendered":"https:\/\/culture.ixelles.be\/?p=1792659"},"modified":"2025-11-18T07:02:32","modified_gmt":"2025-11-18T07:02:32","slug":"juliette-vanwaterloo","status":"publish","type":"post","link":"https:\/\/culture.ixelles.be\/fr\/juliette-vanwaterloo\/","title":{"rendered":"Juliette Vanwaterloo"},"content":{"rendered":"
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[vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]Le fil est fragile mais il r\u00e9siste.<\/p>\n

C’est par ce fil que Juliette Vanwaterloo ouvre son univers, celui o\u00f9 la fragilit\u00e9 se transforme en puissance politique. Elle inscrit son geste dans une double n\u00e9cessit\u00e9 : r\u00e9v\u00e9ler la violence de notre monde et inventer de nouveaux r\u00e9cits par la mati\u00e8re.<\/p>\n

\u00c0 partir d\u2019images d\u2019actualit\u00e9, souvent issues des r\u00e9seaux sociaux, elle compose des tapisseries et des broderies o\u00f9 la col\u00e8re devient fil, et le fil devient lutte. Associ\u00e9es au carcan domestique, la broderie \u00e0 la main, la dentelle aux fuseaux, le tufting et autres techniques textiles deviennent pour Juliette Vanwaterloo une r\u00e9ponse \u00e0 l’effacement. Elle d\u00e9tourne la pratique textile pour en faire le t\u00e9moin des fractures de notre \u00e9poque mais aussi son outil de luttes intersectionnelles.<\/p>\n

Chaque point marque notre histoire collective, chaque surface devient le lieu d\u2019un contre-r\u00e9cit \u00e0 r\u00e9tablir. Ses oeuvres, qu\u2019elles prennent la forme de tapisseries monumentales ou de broderies plus intimes, conjuguent la patience du geste \u00e0 l\u2019urgence de l\u2019\u00e9poque. Dans des compositions sans-compromis, elles archivent avec po\u00e9sie et justesse les violences d’\u00c9tat, les oppressions, les injustices et la d\u00e9faillance de structures sociales et politiques d\u00e9su\u00e8tes…\u00a0\u00bb Texte de Kyliana Hamour, marchande d’art engag\u00e9e<\/p>\n

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Apr\u00e8s un Dipl\u00f4me National des Arts en mention techniques textiles obtenu en 2019 \u00e0 l’Ecole d’Art et de Design d’Angers (FR), elle poursuit son amour des arts de la fibre avec un master en Tapisserie\/Arts textiles \u00e0 l’Acad\u00e9mie Royale des Beaux-Arts de Bruxelles dont elle sort dipl\u00f4m\u00e9e et laur\u00e9ate en 2021. Depuis, elle a re\u00e7u de nombreux prix : Prix de la Ministre de l’Enseignement Sup\u00e9rieur de la F\u00e9d\u00e9ration Wallonie-Bruxelles lors du Prix Tremplin de BeCraft (2021), Premier Prix du Prix Artistique de la Ville de Tournai (2023), Premier Prix du concours ArtContest (2023), Prix BPS22 lors du Prix M\u00e9diatine (2023). Ce dernier a donn\u00e9 lieu \u00e0 sa premi\u00e8re exposition personnelle, Tout Cramer, curat\u00e9e par Doroth\u00e9e Duvivier au BPS22 (2024). Son travail est \u00e9galement visible dans de nombreuses expositions collectives, entre la France et la Belgique.\u00a0\u00bb[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\u00a0\u00bb.vc_custom_1634042322533{margin-bottom: 30px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/6″][\/vc_column][vc_column width=\u00a0\u00bb1\/6″][\/vc_column][vc_column width=\u00a0\u00bb1\/6″]

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\n\t<\/i>\n<\/div><\/a><\/div><\/div>[\/vc_column][vc_column width=\u00a0\u00bb1\/6″][\/vc_column][vc_column width=\u00a0\u00bb1\/6″][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/4″][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][\/vc_column][vc_column width=\u00a0\u00bb1\/4″][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb1\/5″][\/vc_column][vc_column width=\u00a0\u00bb3\/5″][vc_gallery interval=\u00a0\u00bb3″ images=\u00a0\u00bb1792661,1792664″ img_size=\u00a0\u00bb1700×1500″ css=\u00a0\u00bb\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/5″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text css=\u00a0\u00bb\u00a0\u00bb]Le fil est fragile mais il r\u00e9siste. C’est par ce fil que Juliette Vanwaterloo ouvre son univers, celui o\u00f9 la fragilit\u00e9 se transforme en puissance politique. Elle inscrit son geste dans une double n\u00e9cessit\u00e9 : r\u00e9v\u00e9ler la violence de notre monde et inventer de nouveaux r\u00e9cits par la mati\u00e8re. \u00c0 partir d\u2019images d\u2019actualit\u00e9, souvent […]<\/p>\n","protected":false},"author":25,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[419],"tags":[],"acf":[],"yoast_head":"\nJuliette Vanwaterloo - Ixelles<\/title>\n<meta name=\"description\" content=\"Camille Truyffaut combine diff\u00e9rentes techniques telles que la gravure et la c\u00e9ramique. 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