{"id":1498818,"date":"2023-11-28T15:09:35","date_gmt":"2023-11-28T15:09:35","guid":{"rendered":"https:\/\/culture.ixelles.be\/?p=1498818"},"modified":"2025-12-09T11:32:36","modified_gmt":"2025-12-09T11:32:36","slug":"maelle-dufour","status":"publish","type":"post","link":"https:\/\/culture.ixelles.be\/nl\/maelle-dufour\/","title":{"rendered":"Ma\u00eblle Dufour"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><div style=\"margin-top: 0px; margin-bottom: 0px;\" class=\"sharethis-inline-share-buttons\" ><\/div><p>[vc_row][vc_column][vc_column_text]Ma\u00eblle Dufour (1994) onderzoekt vooruitgang, de archeologie van afval en het geheugen door middel van complexe systemen en monumentale installaties.<\/p>\n<p>&nbsp;<\/p>\n<p>Als winnares van de HISK-prijs, studeerde ze beeldhouwkunst aan La Cambre en in Finland en nam deel aan een aantal prestigieuze tentoonstellingen in binnen- en buitenland, waaronder Artagon III (samengesteld door Hans Ulrich Obrist, Parijs, FR), BPS22 (Charleroi, BE), Kanal centre Pompidou (Brussel, BE) en Universidad de Conception (CL). Ze werd ook uitgenodigd voor Shake R\u00e9sidence Nomade (Tunis, TU), Maac (Brussel, BE), Alumi Startwell (Amsterdam, NL). In 2022 cre\u00eberde ze een permanent werk voor de gevangenis van Haren (Brussel, BE).<\/p>\n<p>&nbsp;<\/p>\n<p>Haar werk werd bekroond met verschillende prijzen, waaronder de Prix d&#8217;encouragement de la sculpture de l&#8217;Institut de France, de Prix Sofam, 2019, de Prix de la Commission des arts de Wallonie, 2018 en de Prix public FWB de la jeune sculpture 2020. Ze ontving verschillende beurzen, waaronder Vocatio 2022, Aide \u00e0 la cr\u00e9ation 2019, Un Futur pour la Culture 2021 en Cocof 2021.<\/p>\n<p>&nbsp;<\/p>\n<p>Ma\u00eblle vervoegde de residentie KULT XL Ateliers in juli 2023.<\/p>\n<p>&nbsp;<\/p>\n<p>Beelden: \u00a9 Vincent Everarts, \u00a9 Ithier Held, \u00a9 Isabelle Arthuis, \u00a9 Ma\u00eblle Dufour[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;]<div class=\" uavc-icons-center uavc-icons \">\n<a class=\"aio-tooltip 69e39ff81b433\" href=\"https:\/\/www.instagram.com\/maelle.dufour\/\" target=\"_blank\" rel=\"noopener\"  data-toggle=\"tooltip\" data-placement=\"\" title=\"\"><div class=\"aio-icon  \" data-animation=\"\" data-animation-delay=\"03\" style=\"font-size:32px;margin-right:5px;\">\n\t<i class=\"Defaults-instagram\"><\/i>\n<\/div><\/a>\n<a class=\"aio-tooltip 69e39ff81b471\" href=\"https:\/\/maelledufour.be\/\" target=\"_blank\" rel=\"noopener\"  data-toggle=\"tooltip\" data-placement=\"\" title=\"\"><div class=\"aio-icon  \" data-animation=\"\" data-animation-delay=\"03\" style=\"font-size:32px;margin-right:5px;\">\n\t<i class=\"Defaults-chain-broken unlink\"><\/i>\n<\/div><\/a><\/div>[\/vc_column][vc_column width=&#8221;1\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_gallery interval=&#8221;3&#8243; images=&#8221;1495751,1495754,1495757,1495760,1495763,1495766,1495769,1495772,1495775&#8243; img_size=&#8221;1700&#215;1200&#8243;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text]Ma\u00eblle Dufour (1994) onderzoekt vooruitgang, de archeologie van afval en het geheugen door middel van complexe systemen en monumentale installaties. &nbsp; Als winnares van de HISK-prijs, studeerde ze beeldhouwkunst aan La Cambre en in Finland en nam deel aan een aantal prestigieuze tentoonstellingen in binnen- en buitenland, waaronder Artagon III (samengesteld door Hans Ulrich Obrist, [&hellip;]<\/p>\n","protected":false},"author":25,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[423],"tags":[381,382,383],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ma\u00eblle Dufour - Ixelles<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/culture.ixelles.be\/nl\/maelle-dufour\/\" \/>\n<meta property=\"og:locale\" content=\"nl_NL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ma\u00eblle Dufour - Ixelles\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text]Ma\u00eblle Dufour (1994) onderzoekt vooruitgang, de archeologie van afval en het geheugen door middel van complexe systemen en monumentale installaties. &nbsp; 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