'[UN]Perceptible Frequencies' is a two-part performance that takes shape from two narratives of transmission. The first one titled 'Le trou noir' (2025) is a fictional polyphonic narrative weaving together four generations of women—from the artist’s grandmother to her daughter—creates a space for a more intimate resonance with the rest of the exhibition. The atmosphere and the room itself, edged with tinted veils, invite visitors to explore personal relationships with land, memory, transmission, and displacement. Originally from Mozambique, Euridice Zaituna Kala lets these words, akin to childhood memories, reveal the intergenerational scars of Portuguese colonisation on bodies and on nature, and its lasting effects of subjugation and social humiliation.The second story is 'Composition in Three Parts'. It brings together, for the duration of an experiment, the world of the garden and the voice of Thao Ngo, a nursery owner dedicated to introducing native species suited to their native soils. This piece allows us to perceive gestures embedded in invisible contexts that affect us, and whose distant realities elude us. [UN] Perceptible Frequencies invites us to sift, to discern, and to find within the fog the sounds that enable us to sketch a dialogue with this planet we inhabit, yet which remains partly unknown. ---- Practical Information ---- Wednesday, April 22 5:30-6:30 / 7:30–8:30 p.m., exhibition opens from 5:00 p.m. Saturday, April 25 2:00-3:00 / 4:00-5:00 p.m., exhibition opens from 1:00 p.m. The performance will happen two times per day. Duration approx: one hour. Access is free, upon reservation. The first part of the performance has a limited capacity. Book in advance at info@la-loge.be Language: English Free access