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Brussels Philharmonic & Nikolaj Szeps-Znaider

Influenced by Mendelssohn and Brahms, Bruch delivered an absolute masterpiece of Romanticism with his First Violin Concerto. It is entirely deserved that the piece became one of the most popular violin concertos of all time. Not only does the audience remain a fan, but soloists also hold it dear to ...

Frank Peter Zimmermann & Dmytro Choni

For this recital at Flagey, violinist Frank Peter Zimmermann joins forces with pianist Dmytro Choni, one of the revelations of last season’s Flagey Piano Days. Together, they bring Franz Schubert into dialogue with Arnold Schoenberg and Anton Webern, teacher and pupil of the revolutionary Second Viennese School. At first hearing, ...

Boris Giltburg, Brussels Philharmonic & Enrico Onofri

Short, intimate, and lyrical, and set in the exotic key of F-sharp major: Beethoven did not shy away from experimentation in his Piano Sonata No. 24. Written during turbulent times, the piece served as a sanctuary of pure beauty. Beethoven similarly veered far off the beaten path in his Piano ...

Boris Giltburg, Brussels Philharmonic & Enrico Onofri

Beethoven’s Piano Sonata No. 10 and Haydn’s Symphony No. 100 ('The Military') share the same key: a bright, grand, and martial G major. During his London years, Haydn reinvented the classical orchestral palette by adding exotic percussion, and the resulting rhythmic drive and march-like themes proved an absolute hit with ...

Boris Giltburg

With two recitals in March and June, Boris Giltburg completes his complete cycle of Beethoven’s piano sonatas at Flagey. In the Beethoven Year 2027, he brings to a close this project that began last season. In this recital, he presents four sonatas that together offer a surprisingly multifaceted portrait of Beethoven’s ...
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    Shall replenish. Tree doesn’t face. There which creepeth multiply fish unto of Seed. Behold made two Rule divided. Fruit form.

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