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Brussels Philharmonic & Kazushi Ono

Deploying the full power of the orchestra with striking efficiency, Prokofiev makes the passion and deep tragedy of Shakespeare's masterpiece tangible. From heavy, menacing basses to feather-light, lyrical melodies: the score is packed with contrasts, bringing the protagonists to life in vivid nuance. Prokofiev's original ballet score consists of 52 movements, ...

Brussels Philharmonic, Jan Michiels & Kazushi Ono

Deploying the full power of the orchestra with striking efficiency, Prokofiev makes the passion and deep tragedy of Shakespeare's masterpiece tangible. From heavy, menacing basses to feather-light, lyrical melodies: the score is packed with contrasts, bringing the protagonists to life in vivid nuance. Prokofiev's original ballet score consists of 52 movements, ...

Boris Giltburg

With two recitals in March and June, Boris Giltburg completes his complete cycle of Beethoven’s piano sonatas at Flagey. In the Beethoven Year 2027, he brings to a close this project that began last season. For his final solo recital of this cycle, Giltburg groups four sonatas into contrasting pairs, each ...

Boris Giltburg, Brussels Philharmonic & Kazushi Ono

Beethoven used his sonatas as a laboratory for ideas. Written for intimate settings and far removed from the pressures of the concert hall, they offered a safe haven where he could experiment, test, and innovate to his heart's content. His final sonata is the culmination of all those years of ...

Boris Giltburg, Brussels Philharmonic & Kazushi Ono

Critics often accused Beethoven of writing sonatas that were too free, too irregular, and overly imaginative. His response? With his Piano Sonata No. 13, he demonstrated the sheer beauty that unfolds when a sonata is steeped in rich fantasy. Twenty years later, Beethoven's quest for freedom of form reached a ...

Dee Dee Bridgewater

Dee Dee Bridgewater ranks among the most distinctive voices in jazz for many years. With her project WE EXIST!, the singer places her artistic and social engagement at the centre of a programme that explores the power of music as a form of resistance. Inspired by the legacy of the ...

Recital Laureates Queen Elisabeth Competition

The six unranked laureates of the 2027 Queen Elisabeth Voice Competition will return one last time to Studio 4 to give a joint recital, on Wednesday 26 and Thursday 27 May. The line-up and programme of both recitals will be announced on Tuesday 1 June.

Recital Laureates Queen Elisabeth Competition

The six unranked laureates of the 2027 Queen Elisabeth Voice Competition will return one last time to Studio 4 to give a joint recital, on Wednesday 26 and Thursday 27 May. The line-up and programme of both recitals will be announced on Tuesday 1 June.
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    Shall replenish. Tree doesn’t face. There which creepeth multiply fish unto of Seed. Behold made two Rule divided. Fruit form.

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    Shall replenish. Tree doesn’t face. There which creepeth multiply fish unto of Seed. Behold made two Rule divided. Fruit form.

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